Thursday, March 22, 2007
Mostly these last days have been devoted to multiple sittings for two portraits that are currently in progress, but I'm about to start a series of new landscapes, I think. More on that later.
And I'm still working on the cats.
Sunday, March 11, 2007
In other words, studio work is picking up. Over the past several days I've had two new sitters in for portraits, and I've two more portraits in the works. I've also managed a few more cat sketches, in preparation for that one, which is next on the list because the lady who asked me for it is starting to get impatient. And of course there are always drawings to do and ideas to sketch out. Come to think of it, I did a small, alla prima sketch today (8x6 inches) on a gessoed panel that I'll photograph and post in the next day or two.
Life is good.
Thursday, March 08, 2007
Portraiture was traditionally thought to be the most difficult of the various genres of art, and for good reason, in my view. Portraits require the painter to not only achieve a reasonable likeness (although everyone misses nuances here and there), but also appropriate color, a good pose, and some kind of emotional content. John Sargent used to say that portraits are paintings of people with something wrong about the mouth. I think that's a fair assessment.
Sunday, March 04, 2007
Neither is completed yet, although the painting of the woman is pretty close. Each of these has been challenging in its own way. The male portrait is from two life sessions plus a reference photo, but needs a bit more work. The female portrait is a posthumous one, and done from a black and white reference besides, which is always difficult. Looking at them here online it could almost be that the reverse is true. I'm uncertain why that should be, except that the value contrasts are a bit stronger in the posthumous photo reference than in the male portrait, done in the studio, where the direction of light made the sitter's face look a bit flat. Clearly there is more to do on the central areas of his face, particularly to enhance values and color. Since there's more to do on each, so stay tuned to see what the final outcome will be.
Friday, March 02, 2007
But here in the studio, I've been snug, warm, and happily working on those cats. I'm also working on a portrait of my friend Roy, who graciously sat for me last weekend, during our last big snowstorm. And there are always books and technical information to study. So the March lion hasn't managed to bite me, however much it's mauled the rest.