Last Saturday

Anyone who reads these posts knows that my sketch group heads inside when the weather is inclement. But on sunny days, even if it's cold, we long for the bright light and contrasts of working outside. Last weekend it was that sort of day. Nobody wanted to be inside, even though the high that day was mid-30s. After some discussion we decided to go to Ray Drive, which runs along the eastern shore of the Des Moines Rive, giving great views of the city skyline, riverside parks, and the Botanical Center. 

"Botanical Center," wc/ink on paper, 5x9.2

This is the geodesic dome of the Botanical Center, which is sited east of the river. I thought the near evergreens (left) and the thinner ones to the east of the dome made an interesting composition. I parked in the lot and stood alongside my car to sketch the scene in graphite in one of my sketchbooks. The bright sun was just over my left shoulder. The dome's dark but transparent panels make a repetitive patter that seems to swirl around its circumference, and in the lower center enough light is reflected back to us to give a sense of the interior below. 

After I did a reasonably detailed drawing, trying to give the sense of those curved panels, I jumped in the car to paint. The dark values were particularly important, requiring several layers to achieve the right depth.  

 

Druid Hil Creek

"On Druid Hill Creek," oil on panel, 11x14

Not far from my studio, Druid Hill Creek drains into Grays Lake. Between them is a relatively wild area that I've painted a few times. There is a rocky ford and beyond that (in the far background of this painting) is a street bridge. This view is actually looking south, which is toward my studio. 

This particular painting began as a study for a larger work, later abandoned. This study retains an excellent flavor of the creek and woods.  

 

Rural Autumn

"Rural Autumn," wc/ink on paper, 7x9

Some years ago I made the watercolor above of a country road flanked by blazing autumn trees. The road is actually imaginary and based on streets near my studio. Autumn is perhaps my favorite time of year for painting outdoors. The weather is generally good to at least decent and there is a lot of color to study. 

Texaco

"Service Truck," wc/ink on paper

There is an auto dealership in downtown Des Moines that specializes in classic cars and other vehicles. They often leave some of their inventory in the parking lot next to the showroom. Sometimes these classics are still in their commercial garb, like this Texaco service pickup. I was attracted by the color scheme as well as the preservation. 

This watercolor went like most: graphite layin, careful attention to color and value and then in to accent certain passages.
 

Warm Refuge

"Inside the Dome," wc/ink

This another Saturday sketch. The weather here in Iowa continues to be mostly bitterly cold with lows in single digits to negative. But our intrepid group continues to sketch on Saturday afternoons. 

This is a small sketchbook work showing a small fraction of the interior of our Botanical Center, much of which is inside a geodesic dome. I sat in a chair on one of the walkways between beds of tropical plants, trees, and the like. 

During the cold months the Center is a welcome and warm refuge.  

Serene

"Serene," oil on panel, 14x11 (private collection)

In these dead of winter days it's useful to me to think about summer and warm sunny days. It doesn't make me warmer physically but certainly improves my mood and makes me smile. 

This painting was done outdoors in Virginia a while back. The big sycamore stood guard on the river bank as I tried to capture the light reflected onto the underside of the huge overhanging branches.   

Saturday

"The Art Center, Snow," wc/ink on paper, about 5x15

Despite bitter cold my sketch group again assembled last Saturday for a couple of hours. Most of us opted for a snug and warm indoor venue, but I decided to stay outside. I drove to the Des Moines Art Center and found a place to park near the main entrance. Snow was blowing in a sharp wind and the temperatures were around 10 degrees Fahrenheit. Because of where I was parked I needed to get out, observe the subject and sketch quickly. When the cold seeped in I would jump back in my warm car for a while, then go back out and resume. In a way it was good practice--observe closely, remember as well as possible, draw (or paint) and then repeat. 

 

Breezing Up

"Breezing Up," acrylic on paper on board, 4x8

Although acrylic is perhaps my least favorite medium, I've done a few works using acrylic paint. A long while ago I knew an artist who painted images of sailboats and power yachts on nautical charts. A neat idea but in the end it was a limited one. Still, I gave it a try with a few things, including the small painting above. For these I fitted a snippet of nautical chart, glued it to a piece of hardboard, then painted a monochromatic sailing image. This one was probably the best of the bunch. 

Saturday

"Lamp, West End Salvage," wc/ink

The stalwarts of the Saturday sketch group gathered at a local architectural salvage concern and sketched indoors, owing to the weather. Snow was blowing and the temps were low, so we opted for a snug harbor. 

This lamp was shining just near where I sat so I sipped my latte and tried to imply the illumination behind the stained glass. As is always the case, this watercolor is considerably more dull than the original subject. 
 

Diego

"Velazquez Self Portrait (copy)," oil on board, 8x6, 2008

An important influence in my work as a painter has been the immortal Diego Velazquez (1599-1660), the Spanish artist who served as court painter to King Felipe III. His masterpieces are the core of the Museo del Prado, in Madrid. Many years ago while in the military I had several occasions to visit that museum and spent many hours studying not only Velazquez but Goya and other Spanish masters. 

This small painting is an exceptionally rapid sketch of an oil attributed to Velazquez as a self portrait done nearly twenty years ago. I was interested in capturing the expression and main shapes of the figure. It was also interesting to use a very limited palette--basically cad red, yellow ochre, flake white and ivory black. Although the limitation of colors is severe, it is possible to achieve a wide range of colors and values with only those four. 

Sketch

This watercolor and ink sketch is from last Saturday's outing with the group. The brick building in the background is Brown Camp Lofts, one of the first industrial buildings converted to condominiums in Des Moines. The yellow building to the right is a minor league baseball stadium. As usual I began this with a graphite lay-in to establish the composition, then used watercolor and ink to complete the painting. 
 

Lily

"Lily at Eight," oil on panel

This is a portrait from nearly two decades ago. The girl is Lillian, who was eight years old at the time. She was a typical child of that age, unwilling to sit still for long, so most or all of this was done from references. 

This particular painting has never been exhibited and remains in a private collection. In the meantime Lillian has grown into a mature young woman.