When I started this one I wanted to show the entire street, but after giving it some thought and doing perhaps a dozen thumbnail sketches, I settled on a tighter composition like the one shown here.
This is an oil sketch, intended to work out values and relationships of color, but I like it enough to show, so here 'tis. The colors are mostly earths, including pale yellow ochre, burnt sienna, and raw umber, but I did paint the tree with cobalt blue and cad yellow, and I punched up the reds with a touch of cad red. Lately I've been using zinc white for mixing color--much cleaner-looking--but for more opacity I often add lead white. I also used ivory black here and there.
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