A useful tool for a painter to practice or advance skills is sketching. In particular, sketching small things like leaves, stones, branches and boles of trees. It isn't so much that each of these things must be drawn or painted with exactness. It is simply that it's difficult to accentuate, or deviate, unless you understand the shape being imitated. A good example is drawing or painting trees. A beginning painter will often encounter the advice to make the tree's foliage look like solid chunks of matter--balls or fluted vases or whatever and not try to draw each leaf or branch or twig. That is, suggestion is a more potent indicator of the world than tiny tiny details. Still it helps to understand structures.
Hoff, "Study--opposite bank," iPad sketch |
In "Opposite Bank," from 2019 I used an iPad and Procreate to simulate a drawing done with a soft graphite pencil. As you can see, the masses of leaves are treated as big solids, though here and there I gave in to the temptation to render leaves too. The grasses are also treated as masses and not individual stems. Knowing how this tree branches and how its smaller twigs end in the mass of leaves is a critical piece of detail information.
Hoff, "Before the Snow," wc on paper, ~5x9 |
Hoff, "Across the River (plein air)," oil on panel, 9x12 |
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