Here's a silverpoint, about 6x9, done in a sketchbook of prepared paper. The paper was coated with a special silverpoint ground that contains a mild abrasive. The drwing is a copy of a drawing done by vanGogh in about 1889 of a grove of pollarded trees. VanGogh's drawing was done with a reed pen and ink. Getting darker darks is a difficult and tedious process that involves repetitive light strokes of the stylus.
Unlike silver, which has a darker and cooler tone, gold is lighter and warmer. But you can achieve reasonably dark values using goldpoint provided you spend time doing many many light overlapping or crosshatched strokes. This study of a skull (left) was done from life using a very thin gold stylus in a mechanical pencil. The drawing is about 5x5 on prepared paper. The values achieved required several hours of very patient layering of strokes.
Metalpoint is a challenging medium, not least because it's very difficult to efface marks once they're laid down. Mistakes must be minor or very lightly made, so for me the medium teaches lightness and caution. Nonetheless, metalpoint deserves wider use and recognition. I will certainly continue doing them.
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Metalpoint
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