Through the ages, probably since people have been making images, new artists have learned the craft in part by making copies of works by their masters. Studios in the Renaissance (and probably earlier) kept drawings and paintings for their apprentices to study and reproduce. Although my own learning experiences are not based in the ancient atelier system, I've spent time with many old paintings and drawings, doing my best to emulate what I saw.
These are all my copies of originals by artists of the past.
"Patton (after JCL)," oil on panel, 11x14 |
This painting is a copy of a work by the peerless J.C. Leyendecker, a gifted illustrator whose works a century or so ago were the envy of many, even Norman Rockwell. In this work my interest was in discovering how Leyendecker managed to render the general's leather jacket. I think this was a work supporting World War II war bonds.
"After Fragpmard." oil on panel, 11x14 |
This one, an 18th century work by the French rococo paint Jean-Honoré Fragonard, "A Young Girl Reading," is one of a famous series of tronies he made--that is, studies of expression, body types, situations, and so on that are not portraits in the traditional sense. In this particular work, Fragonard's genius with color is clear. My interest was in the beauty of the dress.
"Achilles and Chrion," (after Herculaneum mural), oil on panel |
"Rockwell," after NR, charcoal on paper 20x16 |
Making copies of other artists' work is an exceptionally useful way to study on one's own, In my case not only do I make copies of the images in question but I often also experiment with media that are different from that used for the originals.
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